{"id":13140,"date":"2026-04-15T11:24:55","date_gmt":"2026-04-15T09:24:55","guid":{"rendered":"https:\/\/www.deltadanse.com\/?page_id=13140"},"modified":"2026-04-15T11:34:27","modified_gmt":"2026-04-15T09:34:27","slug":"goats","status":"publish","type":"page","link":"https:\/\/www.deltadanse.com\/en\/directory\/goats\/","title":{"rendered":"GOATS"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;7&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;347231&#8243;][vc_column column_width_percent=&#8221;100&#8243; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; 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carousel_v_align=&#8221;middle&#8221; carousel_interval=&#8221;3000&#8243; carousel_navspeed=&#8221;400&#8243; stage_padding=&#8221;0&#8243; single_overlay_opacity=&#8221;50&#8243; single_padding=&#8221;2&#8243; uncode_shortcode_id=&#8221;110159&#8243; el_class=&#8221;carrousel-compagnie&#8221;][vc_empty_space empty_h=&#8221;2&#8243; medium_visibility=&#8221;yes&#8221; mobile_visibility=&#8221;yes&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243; uncode_shortcode_id=&#8221;173854&#8243;][calendar_season style=&#8221;repertoire&#8221; repertoire=&#8221;11979&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;5\/12&#8243; uncode_shortcode_id=&#8221;172957&#8243; el_class=&#8221;contenu-compagnie&#8221;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;727088&#8243;][vc_custom_heading text_color=&#8221;accent&#8221; heading_semantic=&#8221;h1&#8243; text_size=&#8221;fontsize-127449&#8243; uncode_shortcode_id=&#8221;180134&#8243; text_color_type=&#8221;uncode-palette&#8221;]GOATS[\/vc_custom_heading][vc_custom_heading text_size=&#8221;h4&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;181819&#8243;]<a href=\"https:\/\/www.deltadanse.com\/en\/companies\/scapino-ballet-rotterdam\/\">Scapino Ballet Rotterdam<\/a>[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;211318&#8243;]<\/p>\n<p class=\"p1\">Choreography <strong>Sarah Baltzinger &amp; Isaiah Wilson<\/strong><br \/>\nMusical composition <strong>Guillaume Jullien<\/strong><br \/>\nMusical arrangement<strong> Isaiah Wilson<\/strong><br \/>\nLighting design <strong>Jan Boiten<\/strong><br \/>\nCostume <strong>Design Petra Finke<\/strong><br \/>\nSet design<strong> Sarah Baltzinger &amp; Isaiah Wilson in collaboration with<\/strong> <strong>Guido Verschoor<\/strong><br \/>\nDramaturgy <strong>Merit Vessies<\/strong><\/p>\n<p class=\"p1\">Created in 2025 &#8211; Duration 40min<br \/>\nFor 7 dancers<\/p>\n<p>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;195611&#8243;]<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" title=\"Scapino Ballet Rotterdam - Origin \/ GOATS &amp; The breakable us\" src=\"https:\/\/player.vimeo.com\/video\/1172574355?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><br \/>\n<\/iframe><\/div>\n<p><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_column_text uncode_shortcode_id=&#8221;166860&#8243; el_class=&#8221;lineHeight&#8221;]<\/p>\n<p class=\"p1\">Sarah Baltzinger &amp; Isaiah Wilson have been making a name for themselves for several years with high-profile and socially engaged pieces. Their new choreography <em>GOATS<\/em> is an imaginative satire on contemporary times. With powerful images, humorous dance language and absurdism, they comment on existing social systems and power structures. Playfully, they challenge the audience to look at the world with new eyes.<\/p>\n<p class=\"p1\">In <em>GOATS<\/em>, the performers inhabit a surreal world between pastoral satire and bestiary dream. Inspired by Gilles Deleuze\u2019s \u00abbecoming animal\u00bb, the piece explores alienation through hybrid bodies\u2014half-human, half goat\u2014 trapped in a reality where they no longer belong. Their only escape is metamorphosis, a shift toward animality in a desperate search for freedom.<\/p>\n<p class=\"p1\">Conceived as an absurd carnival, <em>GOATS<\/em> collides myths, power structures, and untamed instincts, questioning identity, oppression, and our bond with nature. The goat, a symbol of both reverence and fear throughout history, becomes a vessel for transformation\u2014an icon of rebellion, hybridity, and the unknown.<\/p>\n<p>[\/vc_column_text][vc_empty_space][vc_column_text uncode_shortcode_id=&#8221;184456&#8243; el_class=&#8221;lineHeight&#8221;]<\/p>\n<p class=\"p1\"><i>\u00ab The stage, covered in grass, transforms into an ambiguous pastoral <\/i><i>realm. Neither a prison, a human zoo, nor a sacred space, it blurs <\/i><i>the boundaries between reality and fantasy. This space, structured <\/i><i>as a disciplinary dispositif, organizes bodies, imposes rules, and <\/i><i>reflects the dynamics of power that shape the masses. Here, where <\/i><i>the sacred and the playful overlap, it becomes an absurd playground <\/i><i>where the mechanisms of an alienating system are laid bare.<\/i><\/p>\n<p class=\"p1\"><i>At the center of this reflection lies the figure of the goat\u2014as a <\/i><i>specie, as a demoniac representation and as a toy. This animal has <\/i><i>been appropriated, in between sacred and demonized throughout <\/i><i>myths and religious narratives: from Pan and satyrs to the scapegoat <\/i><i>of Judeo-Christian tradition, the goat has often been reduced to <\/i><i>monstrous projections. With <\/i>GOATS<i>, we reclaim this animal, offering <\/i><i>it a hybrid and critical ode.\u00bb<\/i><\/p>\n<p class=\"p1\"><strong>Sarah Baltzinger &amp; Isaiah Wilson<\/strong><\/p>\n<p>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;191665&#8243; el_class=&#8221;lineHeight&#8221;]<span style=\"color: #8f272a;\">Coproduction Th\u00e9\u00e2tre Bielefeld and Les Th\u00e9\u00e2tres de la Ville de Luxembourg.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;607236&#8243;][vc_column width=&#8221;2\/12&#8243;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243; uncode_shortcode_id=&#8221;853687&#8243;][vc_custom_heading text_color=&#8221;color-190155&#8243; uncode_shortcode_id=&#8221;529001&#8243; text_color_type=&#8221;uncode-palette&#8221;]In the repertoire[\/vc_custom_heading][uncode_index el_id=&#8221;index-537495863&#8243; index_type=&#8221;carousel&#8221; loop=&#8221;size:3|order_by:date|post_type:page|tax_query:230|taxonomy_count:10&#8243; carousel_lg=&#8221;2&#8243; carousel_md=&#8221;2&#8243; carousel_sm=&#8221;1&#8243; thumb_size=&#8221;three-two&#8221; gutter_size=&#8221;3&#8243; post_items=&#8221;media|featured|onpost|poster,date,title,text|excerpt|90,category|bordered|topright|hide-icon,sep-one|full,extra&#8221; page_items=&#8221;media|featured|onpost|original,title,text|excerpt,link|link|small_size|D\u00e9couvrir&#8221; carousel_interval=&#8221;3000&#8243; carousel_navspeed=&#8221;400&#8243; carousel_dots=&#8221;yes&#8221; 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