{"id":6029,"date":"2022-12-06T16:40:19","date_gmt":"2022-12-06T15:40:19","guid":{"rendered":"https:\/\/www.deltadanse.com\/?page_id=6029"},"modified":"2024-09-19T15:32:20","modified_gmt":"2024-09-19T13:32:20","slug":"minus-16","status":"publish","type":"page","link":"https:\/\/www.deltadanse.com\/en\/directory\/minus-16\/","title":{"rendered":"Minus 16"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row unlock_row_content=&#8221;yes&#8221; row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;7&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;347231&#8243;][vc_column column_width_percent=&#8221;100&#8243; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; 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gutter_size=&#8221;2&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;5\/12&#8243; uncode_shortcode_id=&#8221;112500&#8243; el_class=&#8221;contenu-compagnie&#8221;][vc_row_inner limit_content=&#8221;&#8221;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243; uncode_shortcode_id=&#8221;727088&#8243;][vc_custom_heading text_color=&#8221;accent&#8221; heading_semantic=&#8221;h1&#8243; text_size=&#8221;fontsize-127449&#8243; uncode_shortcode_id=&#8221;152019&#8243; text_color_type=&#8221;uncode-palette&#8221;]Minus 16[\/vc_custom_heading][vc_custom_heading text_size=&#8221;h4&#8243; text_weight=&#8221;600&#8243; uncode_shortcode_id=&#8221;317443&#8243;]<a href=\"https:\/\/www.deltadanse.com\/en\/companies\/it-dansa\/\">IT Dansa<\/a>[\/vc_custom_heading][vc_column_text uncode_shortcode_id=&#8221;784592&#8243;]<\/p>\n<p class=\"p1\">Choreography, set and costumes design: Ohad Naharin<br \/>Music: Various composers<br \/>Lighting design: Bambi (adapted by Ohad Naharin)<br \/>Choreographer\u2019s assitants: Yoshifumi Inao and Hillel Kogan<br \/>Created in 1999 and re-created for IT Dansa in 2009<br \/>Duration: 35 min<br \/>Coproduction: Institut del Teatre de la Diputaci\u00f3 de Barcelona, Gran Teatre del Liceu  Grec\u201909 Festival de Barcelona<\/p>\n<p>[\/vc_column_text][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column_inner][\/vc_row_inner][vc_column_text uncode_shortcode_id=&#8221;154294&#8243;]<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" title=\"Minus 16 - IT Dansa (extraits)\" src=\"https:\/\/player.vimeo.com\/video\/79675388?h=a95bd7f3d5&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p>[\/vc_column_text][vc_column_text uncode_shortcode_id=&#8221;208443&#8243; el_class=&#8221;lineHeight&#8221;]<\/p>\n<p class=\"p1\">Presented by many international dance companies since its world premiere in 1999 in The Hague by Nederlands Dans Theater II, <em>Minus 16<\/em> is a piece built from excerpts taken from previous Ohad Naharin\u2019s creations such as Mabul, Anaphaza and Zachacha.<br \/>To the sound of Israeli and Cuban traditional musics, the dancers dressed up in black are submitted to the confines of improvisation and to the audience\u2019s participation. In this piece, Ohad Naharin uses his famous Gaga technique to capture the dancer\u2019s instictive movements, by adding and subtracting elements that allow the reflection on each person\u2019s individuality. By inviting the audience to come on stage and join the dancers, he proves that dance is a universal language.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;607236&#8243;][vc_column width=&#8221;2\/12&#8243;][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243; uncode_shortcode_id=&#8221;853687&#8243;][vc_custom_heading text_color=&#8221;color-190155&#8243; uncode_shortcode_id=&#8221;529001&#8243; text_color_type=&#8221;uncode-palette&#8221;]In the repertoire[\/vc_custom_heading][uncode_index el_id=&#8221;index-537495863&#8243; index_type=&#8221;carousel&#8221; loop=&#8221;size:3|order_by:date|post_type:page|tax_query:15|taxonomy_count:10&#8243; carousel_lg=&#8221;2&#8243; carousel_md=&#8221;2&#8243; carousel_sm=&#8221;1&#8243; thumb_size=&#8221;three-two&#8221; gutter_size=&#8221;3&#8243; post_items=&#8221;media|featured|onpost|poster,date,title,text|excerpt|90,category|bordered|topright|hide-icon,sep-one|full,extra&#8221; page_items=&#8221;media|featured|onpost|original,title,text|excerpt|100,link|link|small_size|D\u00e9couvrir&#8221; carousel_interval=&#8221;3000&#8243; carousel_navspeed=&#8221;400&#8243; carousel_dots=&#8221;yes&#8221; carousel_dots_space=&#8221;yes&#8221; carousel_dots_mobile=&#8221;yes&#8221; stage_padding=&#8221;0&#8243; single_back_color=&#8221;color-563873&#8243; single_overlay_opacity=&#8221;50&#8243; single_text_visible=&#8221;yes&#8221; single_text_anim=&#8221;no&#8221; single_padding=&#8221;2&#8243; 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