{"id":7263,"date":"2022-12-22T10:38:09","date_gmt":"2022-12-22T09:38:09","guid":{"rendered":"https:\/\/www.deltadanse.com\/repertorio\/giselle\/"},"modified":"2023-03-10T10:52:25","modified_gmt":"2023-03-10T09:52:25","slug":"giselle","status":"publish","type":"page","link":"https:\/\/www.deltadanse.com\/es\/repertorio\/giselle\/","title":{"rendered":"Giselle"},"content":{"rendered":"

[vc_row unlock_row_content=\u00bbyes\u00bb row_height_percent=\u00bb0″ override_padding=\u00bbyes\u00bb h_padding=\u00bb7″ top_padding=\u00bb2″ bottom_padding=\u00bb2″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb347231″][vc_column column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb7\/12″ uncode_shortcode_id=\u00bb850447″][vc_row_inner row_inner_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb100565″ limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb109405″][vc_gallery el_id=\u00bbgallery-191160″ type=\u00bbcarousel\u00bb medias=\u00bb6208,6212,6204,6216″ carousel_lg=\u00bb1″ carousel_md=\u00bb1″ carousel_sm=\u00bb1″ gutter_size=\u00bb3″ media_items=\u00bbmedia|nolink|original,icon\u00bb carousel_interval=\u00bb3000″ carousel_navspeed=\u00bb400″ stage_padding=\u00bb0″ single_overlay_opacity=\u00bb50″ single_padding=\u00bb2″ uncode_shortcode_id=\u00bb448152″ el_class=\u00bbcarrousel-compagnie\u00bb][vc_empty_space empty_h=\u00bb2″ medium_visibility=\u00bbyes\u00bb mobile_visibility=\u00bbyes\u00bb][\/vc_column_inner][\/vc_row_inner][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner width=\u00bb1\/6″][\/vc_column_inner][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb157769″][calendar_season style=\u00bbrepertoire\u00bb repertoire=\u00bb5874″][\/vc_column_inner][vc_column_inner width=\u00bb1\/6″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_width_percent=\u00bb100″ gutter_size=\u00bb2″ override_padding=\u00bbyes\u00bb column_padding=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb5\/12″ uncode_shortcode_id=\u00bb214085″ el_class=\u00bbcontenu-compagnie\u00bb][vc_row_inner limit_content=\u00bb\u00bb][vc_column_inner column_width_percent=\u00bb100″ gutter_size=\u00bb2″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/1″ uncode_shortcode_id=\u00bb727088″][vc_custom_heading text_color=\u00bbaccent\u00bb heading_semantic=\u00bbh1″ text_size=\u00bbfontsize-127449″ uncode_shortcode_id=\u00bb167953″ text_color_type=\u00bbuncode-palette\u00bb]Giselle[\/vc_custom_heading][vc_custom_heading text_size=\u00bbh4″ text_weight=\u00bb600″ uncode_shortcode_id=\u00bb964154″]Staatsballett Karlsruhe<\/a>[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00bb213625″]Coreograf\u00eda: David Dawson
\nM\u00fasica : Adolphe Adam
\nArreglos musicales: David Coleman
\nEscenograf\u00eda: Arne Walther
\nVestuario: Yumiko Takeshima
\nIluminaci\u00f3n y producci\u00f3n: Bert Dalhuysen
\nDramaturgia: Freya Vass-Rhee
\nVersi\u00f3n de 2022
\nDuraci\u00f3n: 90 min[\/vc_column_text][vc_empty_space empty_h=\u00bb2″][\/vc_column_inner][\/vc_row_inner][vc_column_text uncode_shortcode_id=\u00bb135740″ el_class=\u00bblineHeight\u00bb]Desde hace m\u00e1s de 180 a\u00f1os, Giselle<\/em> se cuenta entre las obras cumbres indiscutibles del ballet cl\u00e1sico rom\u00e1ntico. En el inicio de su transici\u00f3n de ni\u00f1a a mujer, la joven Giselle descubre la felicidad suprema a trav\u00e9s de su amor por el joven Albrecht. Pero Albrecht no es quien aparenta ser. Adem\u00e1s de descubrir con dolor su verdadera identidad, Giselle se entera de que ya est\u00e1 comprometido con otra. Esta oscura verdad la llevar\u00e1 de la locura a la muerte. Atrapada en un mundo intermedio, Giselle, al igual que otras j\u00f3venes que murieron antes de casarse, regresa a la tierra convertida en un ser m\u00e1gico: una Willi. Albrecht, atormentado por saberse responsable de la muerte de Giselle, emprende su b\u00fasqueda. Un \u00faltimo encuentro dilucida la cuesti\u00f3n de la culpa eterna y el perd\u00f3n entre los dos amantes.<\/p>\n

En 2008, gracias a su reinterpretaci\u00f3n de este cl\u00e1sico, el core\u00f3grafo brit\u00e1nico David Dawson cre\u00f3 integralmente su primer ballet de acci\u00f3n para el Semperoper Ballett de Dresde. En ella, Dawson consigue extraer la historia de su contexto decimon\u00f3nico para llevar al escenario una versi\u00f3n visionaria y atemporal en todo sentido. Su lenguaje de ballet, altamente est\u00e9tico y cl\u00e1sicamente moderno, transforma el amor de dos j\u00f3venes en la piedra angular de unas emociones profundamente humanas, completamente independientes del tiempo y del espacio.<\/p>\n

David Dawson ya se hab\u00eda presentado ante el p\u00fablico de Karlsruhe (Alemania) en temporadas anteriores con la pieza de gala, de coreograf\u00eda colectiva, Seid Umschlungen [Abrazaos] para el ballet de esa ciudad, as\u00ed como con su exitosa obra A Million Kisses to my Skin<\/em> [Un mill\u00f3n de besos en mi piel] con m\u00fasica de Johann Sebastian Bach. Giselle<\/em> es su primera coreograf\u00eda integral para el Staatsballett de Karlsruhe, cuya puesta en escena musical est\u00e1 a cargo de la Badische Staatskapelle junto a su Primer Director Johannes Willig.[\/vc_column_text][vc_empty_space empty_h=\u00bb2″][\/vc_column][\/vc_row][vc_row row_height_percent=\u00bb0″ overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb607236″][vc_column width=\u00bb2\/12″][\/vc_column][vc_column column_width_percent=\u00bb100″ align_horizontal=\u00bbalign_center\u00bb gutter_size=\u00bb3″ overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb2\/3″ uncode_shortcode_id=\u00bb853687″][vc_custom_heading text_color=\u00bbcolor-190155″ uncode_shortcode_id=\u00bb529001″ text_color_type=\u00bbuncode-palette\u00bb]En el repertorio[\/vc_custom_heading][uncode_index el_id=\u00bbindex-537495863″ index_type=\u00bbcarousel\u00bb loop=\u00bbsize:3|order_by:date|post_type:page|tax_query:17|taxonomy_count:10″ carousel_lg=\u00bb2″ carousel_md=\u00bb2″ carousel_sm=\u00bb1″ thumb_size=\u00bbthree-two\u00bb gutter_size=\u00bb3″ post_items=\u00bbmedia|featured|onpost|poster,date,title,text|excerpt|90,category|bordered|topright|hide-icon,sep-one|full,extra\u00bb page_items=\u00bbmedia|featured|onpost|original,title,text|excerpt,link|link|small_size|D\u00e9couvrir\u00bb carousel_interval=\u00bb3000″ carousel_navspeed=\u00bb400″ carousel_dots=\u00bbyes\u00bb carousel_dots_space=\u00bbyes\u00bb carousel_dots_mobile=\u00bbyes\u00bb stage_padding=\u00bb0″ single_back_color=\u00bbcolor-563873″ single_overlay_opacity=\u00bb50″ single_text_visible=\u00bbyes\u00bb single_text_anim=\u00bbno\u00bb single_padding=\u00bb2″ single_title_dimension=\u00bbh4″ single_title_weight=\u00bb600″ single_text_lead=\u00bbsmall\u00bb single_border=\u00bbyes\u00bb uncode_shortcode_id=\u00bb150136″][\/vc_column][vc_column width=\u00bb2\/12″][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/1″][uncode_block id=\u00bb3542″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

La reinterpretaci\u00f3n del core\u00f3grafo brit\u00e1nico David Dawson del ballet cl\u00e1sico Giselle saca la historia de su contexto del siglo XIX y presenta en escena una versi\u00f3n visionaria y atemporal en todos los aspectos.<\/p>\n","protected":false},"author":8,"featured_media":6212,"parent":6729,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"choregraphe":[],"directeur-artistique":[],"class_list":["post-7263","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nGiselle | Staatsballett Karlsruhe | Delta Danse<\/title>\n<meta name=\"description\" content=\"La reinterpretaci\u00f3n del core\u00f3grafo brit\u00e1nico David Dawson del ballet cl\u00e1sico Giselle saca la historia de su contexto del siglo XIX...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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